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Yes to Everything
Exploring the opportunities opening up to her, Kim Cope Tait says ‘Yes to Everything’ in this bad apple debut.
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Interrupting Cow — A Response
Esteemed playwright Mickey Delahunty takes to the stage once again, this time with sister Catherine Delahunty and Ari Leason, to present a show for an absolutely absurd show. Isabelle Hoskyn went along to see if ‘Interrupting Cow’ would make her think or rofl.
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The Perfect Image — A Response
Malory Campbell provides a snapshot of their experience with Sam Brooks’s Auckland Pride-featured play, ‘The Perfect Image’. A workplace romance with a white boy, what could go wrong?
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Realm of Tears — A Response
Zech Soakai is invited into Rewa Fowles ‘Realm of Tears’ at Basement Theatre, where an exploration of self-discovery and self-reflection fills the room. He writes of the experience as a kindred tangiweto.
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like animals.
Jedidiah Vinzon writes of the awkward instance of having to come out in the middle of a romantic rendezvous at home. With the added stress of a conservative family.
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In a Dunedin loft we paint oceans
Jessica Hinerangi offers forth this poetic response to the Mana Wāhine workshop run by Savannah Kerekere and Michael-Lydia Winiana for Dunedin Fringe Festival 2024.
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Panic! At the Buffet — A Response
After a long Wednesday with an evening chill settling in, Isla Thomas finds herself in Inch Bar, settling in for a night of comedy thanks to Taylor Ruddle and his show ‘Panic! At the Buffet.’
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Only the Stars Know Where I’ve Been — A Response
In this response to ‘Only the Stars Know Where I’ve Been’, Dani Yourukova is spirited away to a place where time is measured differently.
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april is for poets
kī anthony introduces Global Poetry Writing Month and shares a little about their personal practice.